Papa Don't Preach

"Papa Don't Preach" is a song by American singer Madonna from her third studio album, True Blue (1986). Written by Brian Elliot and co-produced by Madonna and Stephen Bray, the song was inspired by teenage conversations Elliot overheard outside his recording studio. Originally penned for a singer named Christina Dent, it was later offered to Madonna after Warner Bros. executive Michael Ostin intervened. Madonna adjusted portions of the lyrics and was credited as a co-writer. Musically, the track blends dance-pop with elements of baroque, post-disco and classical music, and its lyrics tell the story of a teenage girl who becomes pregnant and chooses to keep her baby, despite her father's objection.

Released on June 11, 1986, in the United States and shortly after in most European countries, "Papa Don't Preach" was met with critical acclaim, with particular praise directed at Madonna's more controlled vocal delivery. It became her fourth number-one hit on the Billboard Hot 100 and also topped the charts in countries such as Canada, the United Kingdom, and Australia. The accompanying music video, directed by James Foley, introduced a new, more muscular and mature look for the singer, as she portrayed a conflicted young woman confronting her father —played by Danny Aiello— about her pregnancy. These scenes are intercut with shots of Madonna singing in a dark studio setting.

The song sparked controversy upon release for its subject matter, drawing criticism from women’s and family planning organizations, who accused Madonna of glamorizing teenage pregnancy. Conversely, pro-life groups praised it for seemingly endorsing motherhood over abortion. Madonna has performed "Papa Don't Preach" in five of her concert tours, the last being 2019–2020's Madame X Tour. During the Who's That Girl World Tour (1987), she dedicated the song to Pope John Paul II, prompting backlash from the Vatican and a call for Italian fans to boycott her concerts. In 2002, British television personality Kelly Osbourne released a cover version that, despite mixed critical reception, achieved commercial success.